James Bell

Volume created as a special commemoration of the Statue of Liberty and Ellis Island.

Mr. Bell introduces the five functions of dialogue and breaks down the importance of vocabulary, syntax, and specifics like regionalism to help build the character. Examine examples from Margaret Mitchell, John Howard Lawson, Charles Webb, and others. Explore the importance of subtext, or what is underneath the words, and how it can suggest secrets, fears, memories, yearnings, or hopes.

Through examples from Janet Evanovich, Elmore Leonard, Douglas Adams, Tom Robbins, Dashiell Hammett, John D. MacDonald, Raymond Chandler, and others, gain the knowledge to master your voice by getting into your character. Then, delve into the rudimentary lessons of a good writer: showing versus telling, avoiding narrative summaries, writing great descriptions, and using telling details.

See how James M. Cain, Harlan Coben, Anne Lamott, Ken Follett, James Clavell, and Dean Koontz often use a jolt or disturbance to hook a reader in, and how that often contributes to the book becoming a best seller. Look at other elements you'll need to include in the first act that will build up the character bonding and tension, which will keep readers riveted.

Even if you have an agent, you're still responsible for some aspects of marketing. Mr. Bell introduces you to the most important marketing tools. Get tips on selecting a marketable title, creating taglines, finding customers, using social media, building a website, using emails and newsletters, and knowing which self-publishing tools are worth the investment.

Understand how weaving in smaller conflicts and challenges (subplots and parallel plots) is a great way to expand a story’s range. See how authors successfully integrate subplots into their main story lines. Mr. Bell introduces a formula for determining how many subplots your book should have and a simple grid you can use to manage multiple plots.

Mr. Bell reveals two ways to bring your characters to life, along with a myriad of techniques you can put into practice, including a timeline, a voice journal, a simple relationship grid, and the areas you should plan to research. Plus, learn how minor details such as patterns of speech, dress, physical appearance, mannerisms, tics, eccentricities, and even names can have a major impact.

Dive into the concepts of point of view including: first person, omniscient, second person, and third person (limited and open). Then study how Henry Fielding, Charles Dickens, Mario Puzo, James Clavell, J. D. Salinger, Raymond Chandler, F. Scott Fitzgerald, John D. MacDonald, Suzanne Collins, Dean Koontz, James Patterson, Herman Melville, and others use point of view successfully.

Dive into the writing styles of “pantsers” versus “plotters” and get a better understanding of whether you want to aim for a plot-driven or a character-driven story. And using the writings of John Grisham, Ernest Hemingway, Lee Child, and others, evaluate the traditional mythical structure of a three-act story.

Mr. Bell introduces you to the different kinds of beginnings and investigates the benefits of using a prologue. With examples from Mary Higgins Clark, Harlan Coben, Ken Kesey, John Gilstrap, Mickey Spillane, David Morrell, and others, you’ll learn how to start your scenes with a bang, raise big questions, and then switch things up in the next scene so readers are on the edge of their seats.