Fyodor Dostoyevsky

The novels of Fyodor Dostoevsky, including the classic Crime and Punishment, secured the great Russian writer an exalted position in the literary pantheon of 20th-century authors. The Gambler stands as one of the literary genius' most highly regarded shorter works. At the casino in Roulettenburg, Germany, a Russian family awaits word that a wealthy relative from Petersburg has died. But to their dismay, Granny arrives and begins gambling away their...

The violent lives of three sons are exposed when their father is murdered and each one attempts to come to terms with his guilt. "The Brothers Karamasov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving the "wicked and sentimental" Fyodor Pavlovich Karamazov and his three sons--the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy, red-cheeked young...

The passionate confessions of a suffering soul; the brutal self-loathing of a tormented man; the scathing scorn of an alienated antihero who has become one of the greatest figures in all literature. Notes from Underground, published in 1864, introduces the moral, political, and social ideas Dostoevsky later explores in such masterpieces as Crime and Punishment, The Idiot, and The Brothers Karamazov

Master translation of a neglected Russian classic into English. Long before Solzhenitsyn's Gulag Archipelago came Dostoevsky's Notes from the House of the Dead, a compelling account of the horrific conditions in Siberian labor camps. The characters and situations that Dostoevsky encountered in prison were so violent and extraordinary that they changed his psyche profoundly. Through that experience, he later said, he was resurrected into a new spiritual...

Widely hailed as a masterpiece of Russian literature, The Idiot stars the gentle nobleman Prince Myshkin. This captivating novel uses Myshkin's character to explore and examine the mores and culture of mid-19th-century Russia.

Considered one of the first existentialist novels, Notes from Underground contains one of the most unsettling characters in 19th-century fiction. Resentful, cruel, entitled and pitiful, Dostoyevsky's Underground Man is a disturbing human being bent on humiliating others for his own amusement. He despises modern society and stews in a self-imposed misery, articulated through his bitter, contradictory monologues about torment and alienation.

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