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Alfred A. Knopf,
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Own it, snowflakes: you've lost everything you claim to hold dear. White is Bret Easton Ellis's first work of nonfiction. Already the bad boy of American literature, from Less Than Zero to American Psycho , Ellis has also earned the wrath of right-thinking people everywhere with his provocations on social media, and here he escalates his admonishment of received truths as expressed by today's version of "the left." Eschewing convention, he embraces views that will make many in literary and media communities cringe, as he takes aim at the relentless anti-Trump fixation, coastal elites, corporate censorship, Hollywood, identity politics, Generation Wuss, "woke" cultural watchdogs, the obfuscation of ideals once both cherished and clear, and the fugue state of American democracy. In a young century marked by hysterical correctness and obsessive fervency on both sides of an aisle that's taken on the scale of the Grand Canyon, White is a clarion call for freedom of speech and artistic freedom. "The central tension in Ellis's art--or his life, for that matter--is that while [his] aesthetic is the cool reserve of his native California, detachment over ideology, he can't stop generating heat.... He's hard-wired to break furniture."--Karen Heller, The Washington Post "Sweating with rage . . . humming with paranoia."--Anna Leszkiewicz, The Guardian "Snowflakes on both coasts in withdrawal from Rachel Maddow's nightly Kremlinology lesson can purchase a whole book to inspire paroxysms of rage . . . a veritable thirst trap for the easily microaggressed. It's all here. Rants about Trump derangement syndrome; MSNBC; #MeToo; safe spaces."--Bari Weiss , The New York Times
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Grouping Information

Grouped Work ID10207cc3-08c1-1ee9-c862-f5f3ac760323
Grouping Titlewhite
Grouping Authorellis bret easton
Grouping Categorybook
Last Grouping Update2019-12-28 04:11:44AM
Last Indexed2020-04-05 04:31:23AM

Solr Details

auth_author2Ellis, Bret Easton.
authorEllis, Bret Easton,
author2-roleEllis, Bret Easton.Acting.
Ellis, Bret Easton.Empire.
Ellis, Bret Easton.Liking.
Ellis, Bret Easton.Post-empire.
Ellis, Bret Easton.Post-sex.
Ellis, Bret Easton.Second self.
Ellis, Bret Easton.These days.
Ellis, Bret Easton.Tweeting.
author_displayEllis, Bret Easton
available_at_aacplCrofton Library
Maryland City at Russett Library
Odenton Library
detailed_location_aacplCrofton Library - Nonfiction
Maryland City at Russett Library - Nonfiction
Odenton Library - Nonfiction
display_description"Combining personal reflection and social observation, Bret Easton Ellis's first work of nonfiction is an incendiary polemic about this young century's failings, e-driven and otherwise, and at once an example, definition, and defense of what 'freedom of speech' truly means. Bret Easton Ellis has wrestled with the double-edged sword of fame and notoriety for more than thirty years now, since Less Than Zero catapulted him into the limelight in 1985, earning him devoted fans and, perhaps, even fiercer enemies. An enigmatic figure who has always gone against the grain and refused categorization, he captured the depravity of the eighties with one of contemporary literature's most polarizing characters, American Psycho's iconic, terrifying Patrick Bateman. In recent years, his candor and gallows humor on both Twitter and his podcast have continued his legacy as someone determined to speak the truth, however painful it might be, and whom people accordingly either love or love to hate. He encounters various positions and voices controversial opinions, more often than not fighting the status quo. Now, in White, with the same originality displayed in his fiction, Ellis pours himself out onto the page and, in doing so, eviscerates the perceived good that the social-media age has wrought, starting with the dangerous cult of likeability. White is both a denunciation of censorship, particularly the self-inflicted sort committed in hopes of being 'accepted,' and a bracing view of a life devoted to authenticity. Provocative, incisive, funny, and surprisingly poignant, White reveals not only what is visible on the glittering, pristine surface but also the riotous truths that are hidden underneath"--
Bib IdItem IdShelf LocCall NumFormatFormat CategoryNum CopiesIs Order ItemIs eContenteContent SourceeContent FileeContent URLsubformatDetailed StatusLast CheckinLocationSub-location
ils:a156939731997096547286Maryland City at Russett Library - Nonfiction814.54 E1falsefalseOn ShelfJul 30, 2019MDC
ils:a156939731997096547278Odenton Library - Nonfiction814.54 E1falsefalseOn ShelfNov 12, 2019WCO
ils:a156939731997096547260Crofton Library - Nonfiction814.54 E1falsefalseOn ShelfDec 07, 2019CRO
itype_aacplAdult Nonfiction
literary_formNon Fiction
literary_form_fullNon Fiction
local_callnumber_aacpl814.54 E
owning_library_aacplAnne Arundel County Public Library
owning_location_aacplCrofton Library
Maryland City at Russett Library
Odenton Library
Bib IdFormatFormat CategoryEditionLanguagePublisherPublication DatePhysical Description
ils:a1569397BookBooksEnglishAlfred A. Knopf, 2019.261 pages ; 22 cm
Bib IdItem IdGrouped StatusStatusLocally OwnedAvailableHoldableBookableIn Library Use OnlyLibrary OwnedHoldable PTypesBookable PTypesLocal Url
ils:a156939731997096547286On ShelfOn Shelffalsetruetruefalsefalsetrue
ils:a156939731997096547278On ShelfOn Shelffalsetruetruefalsefalsetrue
ils:a156939731997096547260On ShelfOn Shelffalsetruetruefalsefalsetrue
subject_facetAmerican essays -- 21st century
title_fullWhite / by Bret Easton Ellis
topic_facetAmerican essays