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The Human Stain: A Novel
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HarperCollins 2000
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Description
It is 1998, the year in which America is whipped into a frenzy of prurience by the impeachment of a president, and in a small New England town, an aging classics professor, Coleman Silk, is forced to retire when his colleagues decree that he is a racist. The charge is a lie, but the real truth about Silk would have astonished his most virulent accuser. Coleman Silk has a secret. But it's not the secret of his affair, at seventy-one, with Faunia Farley, a woman half his age with a savagely wrecked past—a part-time farmhand and a janitor at the college where, until recently, he was the powerful dean of faculty. And it's not the secret of Coleman's alleged racism, which provoked the college witch-hunt that cost him his job and, to his mind, killed his wife. Nor is it the secret of misogyny, despite the best efforts of his ambitious young colleague, Professor Delphine Roux, to expose him as a fiend. Coleman's secret has been kept for fifty years: from his wife, his four children, his colleagues, and his friends, including the writer Nathan Zuckerman, who sets out to understand how this eminent, upright man, esteemed as an educator for nearly all his life, had fabricated his identity and how that cannily controlled life came unraveled. Set in 1990s America, where conflicting moralities and ideological divisions are made manifest through public denunciation and rituals of purification, The Human Stain concludes Philip Roth's eloquent trilogy of postwar American lives that are as tragically determined by the nation's fate as by the "human stain" that so ineradicably marks human nature. This harrowing, deeply compassionate, and completely absorbing novel is a magnificent successor to his Vietnam-era novel, American Pastoral, and his McCarthy-era novel, I Married a Communist.
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Street Date:
05/10/2000
Language:
English
ISBN:
9780547345031
ASIN:
B003JFJHP2
Citations
APA Citation (style guide)

Philip Roth. (2000). The Human Stain: A Novel. HarperCollins.

Chicago / Turabian - Author Date Citation (style guide)

Philip Roth. 2000. The Human Stain: A Novel. HarperCollins.

Chicago / Turabian - Humanities Citation (style guide)

Philip Roth, The Human Stain: A Novel. HarperCollins, 2000.

MLA Citation (style guide)

Philip Roth. The Human Stain: A Novel. HarperCollins, 2000.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
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Date Added:
Jun 03, 2017 08:34:10
Date Updated:
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        PHILIP ROTH (1933–2018) won the Pulitzer Prize for American Pastoral in 1997. In 1998 he received the National Medal of Arts at the White House and in 2002 the highest award of the American Academy of Arts and Letters, the Gold Medal in Fiction, previously awarded to John Dos Passos, William Faulkner and Saul Bellow, among others. He twice won the National Book Award, the PEN/Faulkner Award, and the National Book Critics Circle Award. In 2005 The Plot Against America received the Society of American Historians' prize for "the outstanding historical novel on an American theme for 2003–2004" and the W.H. Smith Award for the Best Book of the Year, making Roth the first writer in the forty-six-year history of the prize to win it twice.

        In 2005 Roth became the third living American writer to have his works published in a comprehensive, definitive edition by the Library of America. In 2011 he received the National Humanities Medal at the White House, and was later named the fourth recipient of the Man Booker International Prize. In 2012 he won Spain's highest honor, the Prince of Asturias Award, and in 2013 he received France's highest honor, Commander of the Legion of Honor.

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fullDescription
It is 1998, the year in which America is whipped into a frenzy of prurience by the impeachment of a president, and in a small New England town, an aging classics professor, Coleman Silk, is forced to retire when his colleagues decree that he is a racist. The charge is a lie, but the real truth about Silk would have astonished his most virulent accuser. Coleman Silk has a secret. But it's not the secret of his affair, at seventy-one, with Faunia Farley, a woman half his age with a savagely wrecked past—a part-time farmhand and a janitor at the college where, until recently, he was the powerful dean of faculty. And it's not the secret of Coleman's alleged racism, which provoked the college witch-hunt that cost him his job and, to his mind, killed his wife. Nor is it the secret of misogyny, despite the best efforts of his ambitious young colleague, Professor Delphine Roux, to expose him as a fiend. Coleman's secret has been kept for fifty years: from his wife, his four children, his colleagues, and his friends, including the writer Nathan Zuckerman, who sets out to understand how this eminent, upright man, esteemed as an educator for nearly all his life, had fabricated his identity and how that cannily controlled life came unraveled. Set in 1990s America, where conflicting moralities and ideological divisions are made manifest through public denunciation and rituals of purification, The Human Stain concludes Philip Roth's eloquent trilogy of postwar American lives that are as tragically determined by the nation's fate as by the "human stain" that so ineradicably marks human nature. This harrowing, deeply compassionate, and completely absorbing novel is a magnificent successor to his Vietnam-era novel, American Pastoral, and his McCarthy-era novel, I Married a Communist.
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reviews
      • premium: True
      • source: Publisher's Weekly
      • content:

        Starred review from May 8, 2000
        Roth almost never fails to surprise. After a clunky beginning, in which crusty Nathan Zuckerman is carrying on about the orgy of sanctimoniousness surrounding Clinton's Monica misadventures, his new novel settles into what would seem to be patented Roth territory. Coleman Silk, at 71 a distinguished professor at a small New England college, has been harried from his position because of what has been perceived as a racist slur. His life is ruined: his wife succumbs under the strain, his friends are forsaking him, and he is reduced to an affair with 34-year-old Faunia Farley, the somber and illiterate janitor at the college. It is at this point that Zuckerman, Roth's novelist alter ego, gets to know and like Silk and to begin to see something of the personal and sexual liberation wrought in him by the unlikely affair with Faunia. It is also the point at which Faunia's estranged husband Les Farley, a Vietnam vet disabled by stress, drugs and drink, begins to take an interest in the relationship. So far this is highly intelligent, literate entertainment, with a rising tension. Will Les do something violent? Will Delphine Roux, the young French professor Silk had hired, who has come to hate him, escalate the college's campaign against him? Yes, but she now wants to make something of his Faunia relationship too. Then, in a dazzling coup, Roth turns all expectations on their heads, and begins to show Silk in a new and astounding light, as someone who has lived a huge lie all his life, making the fuss over his alleged racism even more surreal. The book continues to unfold layer after layer of meaning. There is a tragedy, as foretold, and an exquisitely imagined ending in which Zuckerman himself comes to feel both threatened and a threat. Roth is working here at the peak of his imaginative skills, creating many scenes at once sharply observed and moving: Faunia's affinity for the self-contained remoteness of crows, Farley's profane longing for a cessation to the tumult in his head, Zuckerman delightedly dancing with Silk to the big band tunes of their youth. He even brings off virtuoso passages that are superfluous but highly impressive, like his dissection of the French professor's lonely anguish in the States. This is a fitting capstone to the trilogy that includes American Pastoral and I Married a Communist--a book more balanced and humane than either, and bound, because of its explosive theme, to be widely discussed. 100,000 first printing.

      • premium: True
      • source: Booklist
      • content:

        Starred review from March 1, 2000
        With the help of his alter ego, Nathan Zuckerman, Roth continues the inquiry into the state of the American soul during the second half of the twentieth-century. Fueled by the story of his magnetic hero, Coleman Silk, it roars, with heart-revving velocity, through a literary landscape that embraces the politics of race and sex, the Vietnam War, and the absurdity of extreme political correctness, the dumbing down of the academy, and President Clinton's impeachment. Coleman, a classics professor at a small Berkshire college, embodies all the ambition, paradox, anger, and futility of the American dream, and, over the course of his secretive life, he displays all the mettlesome powers of the Greek and Roman gods he helps immortalize. Naturally, a man this fired up makes enemies, and no one defends him when his brilliant career capsizes over a misunderstanding regarding his use of the word "spooks" to refer to students who failed to materialize in the classroom. How was he to know they were black? How was anyone to know that he would be the last professor on earth to make a racist remark? Enraged by the inanity of the ensuing brouhaha, Coleman resigns. Then, when his wife dies unexpectedly, he becomes involved with a woman who is half his age and illiterate. These unlikely lovers are surely doomed, and Zuckerman seems destined to discover the truth about Coleman, which reveals so many truths about the land he so passionately portrays. As Roth unfurls his hero's galvanizing tale, he protests the tyranny of prejudice and propriety, recognizes the "terrifyingly provisional nature of everything," and shakes his head in sorrow and wonder over the "inevitably stained creatures that we are." ((Reviewed March 1, 2000))(Reprinted with permission of Booklist, copyright 2000, American Library Association.)

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shortDescription
It is 1998, the year in which America is whipped into a frenzy of prurience by the impeachment of a president, and in a small New England town, an aging classics professor, Coleman Silk, is forced to retire when his colleagues decree that he is a racist. The charge is a lie, but the real truth about Silk would have astonished his most virulent accuser. Coleman Silk has a secret. But it's not the secret of his affair, at seventy-one, with Faunia Farley, a woman half his age with a savagely wrecked past—a part-time farmhand and a janitor at the college where, until recently, he was the powerful dean of faculty. And it's not the secret of Coleman's alleged racism, which provoked the college witch-hunt that cost him his job and, to his mind, killed his wife. Nor is it the secret of misogyny, despite the best efforts of his ambitious young colleague, Professor Delphine Roux, to expose him as a fiend. Coleman's secret has been kept for fifty years: from his wife, his four...
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