Much Ado About Nothing is one of Shakespeare's most imaginative and exuberant comedies, contrasting two pairs of lovers in a witty and suspenseful battle of the sexes. Attracted to each other, the maddeningly skeptical Beatrice and Benedick are dead-locked in a lively war of words until their friends hatch a plot to unite them. The mutually devoted Hero and Claudio, on the other hand, all too quickly fall victim to a malicious plot to part

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"Shakespearean comedies are defined by their humorous writing, their satire, the often-tangled romances, disguises and deceptions, and a thoughtful 'fool' who is often the bearer of the smartest lines in the plays. Most of the time, there is also at least one (or two, or three, or four) weddings that tie the entire plot together in a neat package just in the nick of time. These conventions are iconic in the genre, and are what gave Shakespeare's comedies...

Adaptation of the Shakespeare play, filmed during a stage performance: "This immersive and darkly poetic cinematic experience brings the play's iconic fairies, spells and hallucinatory lovers to life ... the feats of visual imagination are ingenious and plentiful, but beating at the center of the film is an emotionally moving take on the deeper human aspects of Shakespeare's beloved tale"--Container.

Japan, 1938. War is looming on the horizon, but the Makioka sisters are far more concerned with their domestic troubles. The sisters have taken over their family's kimono manufacturing business in Osaka, and are well off, traveling together to view the changing of the seasons--cherry blossoms in Kyoto, brilliant leaves in the fall. Tsuruko and Sachiko, the older two, have been married for quite some time. Tradition demands that they marry in order...