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Publisher
Flicker Alley
Pub. Date
1922.
Language
English
Description
Considered one of Dulac’s most feminist films, it is also a crucial step in her continuing de-emphasis of traditional narrative structures in favor of visual association. This impressionist film offers a bleak portrait of marriage and its constraining effects on the woman, while vividly externalizing her dreams of liberation as only the cinematic medium can. Music by Judith Rosenberg.
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