Sol Nazerman is a survivor of a WWII Nazi death camp where his wife, parents and children were murdered. His soul robbed of hope, he takes refuge in misery and a bitter condemnation of humanity while managing a Harlem pawnshop. Working with Sol in the pawn shop is an ambitious man named Ortiz, whose own views and aspirations differ greatly from those of his embittered boss.
"Just as Charlie Henry thinks life might have calmed down, he finds himself in the middle of a dangerous case involving a beautiful silver-and-turquoise necklace with a mysterious history. When a young Navajo man shows up at FOB Pawn, claiming the necklace is a family heirloom of his girlfriend, Charlie is skeptical. No claim ticket, no exchange. But when the same young man returns with reinforcements--and guns--it's clear that there's more to his...
In the sixth Mutual film, Charlie is a pawnbroker’s assistant in a pawnshop that evokes the London of Chaplin’s childhood. The film is rich in comic transposition, a key element to Chaplin’s genius. The apex of such work in the Mutuals is the celebrated scene in The Pawnshop in which Charlie examines an alarm clock brought in by a customer.
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